Poetry

A driving force behind the poems in Mimi’s Trapeze is Rosser’s profound curiosity about all forms and conditions of life. Without distorting fact or motive, her speakers seek to navigate the mazes of our messy quotidian infelicities, ranging from imperfect love to squashing turtles on the road—from the history of artistic misrepresentations of women to global warming—attempting to calibrate the beautifully complex balance between desire and responsibility.

University of Pittsburgh Press 2014

Rosser’s third poetry collection contains poems of startling range and depth, with formal poems-traditional, hybrid, and nonce-and just as many shaped by the loopy trajectory of their associative momentum. At the heart of Rosser’s work is a kind of crazed optimism-a quixotic, wryly cheerful pilgrimage through the maze of bafflement, loneliness, and love that constitutes our experience.

New Criterion 2007, winner of the New Criterion poetry prize

In her second collection of poems, J. Allyn Rosser explores the human condition in all its gloriously valiant pathos. Misery Prefigured dwells on our continual reinventions of self and world and the restless dynamic that vibrates between them. Alternating between deadpan and dead serious, these poems are often darkly funny, exposing the contradictions inherent in every desire. Misery Prefigured is fueled by a cocky, unsentimental determination to make some consolatory sense of what passes for reality.

Southern Illinois University Press 2001, winner of the Crab Orchard Award

J. Allyn Rosser’s first collection of poetry displays the range of her imagination. Love is coaxed into brief, blinding clarity through her wit, her sharp perception, and her belief in the possibility of an authentic truth.

Northeastern University Press 1990, winner of the Morse poetry prize